Luther Vandross: Never Too Much - 1981

Released in 1981, this debut solo album launched the phenomenally successful career of ex David Bowie, Roberta Flack and Chic backing singer Luther Vandross

He had previously released material under the name of the band Luther but this was where it really took off for me. Before that, though, special mention has to go to the fabulously funky track, Funky Music (Is A Part Of Me), which was, of course, re-worked by David Bowie as Fascination on his 1975 Young Americans album. 

Back to this album. As the eighties arrived, soul music had come out of the other side of the disco boom and was merging the grooves of the dance floor with a romantic, easy sensuality that built on the "quiet storm" soul of the mid-late seventies. Soul also fused regularly with jazz in this period and artists like Vandross and George Benson were immensely popular. 

Gone were the militant messages of the early seventies, this was aspirationally-linked music that led from a swish, classy, air-conditioned dancefloor to an equally sumptuous deep-pile carpeted bedroom. It is certainly not the music of the ghetto or of drug dealers and pimps - this was bona fide moneyed, uptown stuff. It is not surprising that the independent, assertive, emancipated women of the eighties lapped this stylish material up. Although it was from the summer of 1981, this was a world away from the new wave, post punk, two tone or new romantic fare that was everywhere else at the time. 

Never Too Much is a funky soul classic, driven on by that irresistibly catchy guitar line and a slap bass riff that must have inspired Level 42. Then there is the soaring chorus and Vandross's honey sweet, crystal clear voice. This largely upbeat album ended with two slowies, but the character of it was mainly a vibrant one. What an odd look Luther gives us on the cover though. 

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Comments

  1. I love the way you described this this kind of music up there . That was awesome. I remember I didn't like this kind of stuff at all when I was growing up in the 80s. It was all over the radio and there was a million of these guys all over the f****** place. I used to have one of those albums he produced for Aretha Franklin and it is so 80s .

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    Replies
    1. Thanks for the compliments! You're right, it was all over the place back then.

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